 Elizabeth Hagedorn
Adjunct Professor of Voice
Office: 5446 Mosse Humanities Building Phone: 608-263-1922 Email: ehagedorn@wisc.edu Individual Website: http://www.elizabeth-hagedorn.com
With her “brilliant and richly coloured sound” (Die Welt), Elizabeth Hagedorn made a name for herself through multi-faceted character portrayals in the spinto soprano repertoire. The American soprano completed her B.Mu.Ed degree in her home state of Wisconsin at UW – Stevens Point and an M.M. in Voice Performance and Pedagogy at the University of Colorado – Boulder, studying with Barbara Doscher. Her introduction to Europe came through a stipendium to the American Institute of Musical Studies in Graz, Austria.
In twenty-four years as an opera singer in Europe, Elizabeth Hagedorn performed over fifty leading roles, debuting as a lyric-coloratura (Violetta, Konstanze, Elvira), and developing through the heavier lyric roles (Mimi, Rusalka, Suor Angelica, Don Carlo Elisabetta) to spinto and jugendlich-dramatic repertoire (Salome, Ariadne, Elsa, Ellen Orford, Tosca, Fidelio Leonore, Senta, Wozzeck Marie,). Various world and European premieres of contemporary operas included the first Austrian performance of Michael Nyman’s “The Man who mistook his Wife for a Hat“, and a world premiere recording of Veerhoff’s „Desiderata“ at the Gewandhaus in Leipzig.
SInce 2010, Ms. Hagedorn and her husband, the conductor Andreas Stoehr, have lived in Vienna. She established „Wien.Oper.Intensiv.“ performance workshops in Vienna, and has taught master classes at UW – Madison, UW – Steven Point, University of Colorado – Boulder, and the University of Northern Colorado in Greeley. In the summer of 2013, she joined the voice faculty at the American Institute of Musical Studies (AIMS) in Graz, Austria.
Ms. Hagedorn has held the position of Adjunct Professor of Voice since 2013.
 Paul Rowe
Professor of Voice
Phone: (608) 263-1924
Email: pyrowe@wisc.edu
Baritone Paul Rowe has maintained a wide ranging performing career throughout the United States for the past 20 years. He has performed with many of the leading American musical organizations including the Boston Symphony Orchestra conducted by Seiji Ozawa at Symphony Hall in Boston and Carnegie Hall in New York, American Ballet Theater at the Metropolitan Opera and Kennedy Center, and Musica Sacra at Carnegie Hall and Alice Tully Hall. He has appeared as well with the Baltimore Choral Arts Society, Smithsonian Chamber Players, the Alabama and Arkansas symphony orchestras, the Folger Consort, and the Ensemble for Early Music, among many other groups. As a member of the Waverly Consort, Mr. Rowe toured the United States, the Far East and South America and participated in the Consort's regular series at Alice Tully Hall and the Cloisters in New York. In addition, he performed for two years as a member of the New York Vocal Arts Ensemble, touring the U. S. and Yugoslavia and recording two discs: the Quartets of Haydn and Trios of Mozart, and a disc entitled Listen to the Mockingbird, featuring songs of Stephen Foster and other American music. He has sung at various summer festivals including Marlboro, Aspen, Flagstaff Festival of the Arts, Hot Springs and Sewanee. Paul Rowe has served on the voice faculties of the University of Wisconsin-Stevens Point, Vanderbilt University, State University of New York at Purchase, Lehigh University and Nazareth College of Rochester, the Berkshire Choral Festival, and the Tennessee State Governor's School. Paul Rowe is Professor of Voice at the University of Wisconsin-Madison and Artistic Director of the Madison Early Music Festival, an annual festival he helped found in 2000.
 James Doing
Professor of Voice
Phone: (608) 263-1929
Email: jdoing@wisc.edu
Professor of Voice James Doing participated in the young artist programs at Lake George (1983) and Santa Fe (1984). From Santa Fe, he was invited to join the Netherlands Opera Studio in Amsterdam to pursue further training, and launch an international career in opera. After 11 years based in Amsterdam where he became a dual citizen of the U. S. and the Netherlands, he moved stateside in 1995 with wife Sue and their five children to add a teaching dimension to his activities. From 1995-98 he served as Assistant Professor of Voice and Director of Opera at the University of Missouri-Columbia.
James Doing is equally at home in productions on the stage, radio or television. He has sung more than 70 operatic roles in Paris, Nice, London, Amsterdam, Brussels, Antwerp, Turin, Stuttgart, Doha (Qatar), New York, Chicago, St. Louis, Santa Fe, Cleveland, Cooperstown (Glimmerglass), Milwaukee, Madison and elsewhere. His roles have ranged from Telemaco in Monteverdi's Il Ritorno d'Ulisse (Netherlands Opera and Brooklyn Academy of Music) to his critically acclaimed portrayal of Roderick Usher in Philip Glass's The Fall of the House of Usher in the Stuttgarter Hofkonzerte, and Gorlaeus (which was written for him) in the world premiere and subsequent release on Nonesuch of Louis Andriessen's De Materie.
Concert work is equally important to Mr. Doing. As a Bach specialist, he has sung over 100 performances of the St. Matthew and St. John passions and the Christmas Oratorio in Europe, Japan and North America, including many performances in Amsterdam's famed Concertgebouw and his debut in 2004 with The Bach Choir of Bethlehem. In March 2005 he performed Bach's Magnificat and Easter Oratorio with Chicago's Music of the Baroque. In December 2005 he recorded a tenor aria in Bach's St. Matthew Passion in the Dutch language with Universal Music/Deutsche Grammophon, (released in March 2006). In 1994 Mr. Doing sang four consecutive performances of Hans Zender's orchestration of Schubert's cycle Winterreise in Theaterhaus Stuttgart to critical acclaim. As an interpreter of 20th-century music he has been invited to many prestigious festivals including the Holland, South Bank, Nuova Consonanza (Rome) and Aldeburgh festivals.
James Doing's performances have been critically acclaimed as "admirable" (The New York Times); "refined lyric tenor" (Opera News); "strong and musical voice" (Le Figaro); "vocally first rate" (Opern Welt); "great vocal presence" (Opernglas); "serene, sweeping, smooth voice" (Stuttgarter Zeitung); "absolutely perfect" (Main-Echo), and "deeply movingÂ
never failed our expectationsÂ
more than impressive" (The Jerusalem Post).
Current and former students have have won the Metropolitan Opera National Council Auditions in Milwaukee, Minneapolis and Portland and sung with New York City Opera, Lyric Opera of Chicago, Paris Opera Bastille, other regional opera companies and in the apprentice, young artist and resident artist programs of Santa Fe, San Francisco (Merola), Lyric Opera of Chicago, Minnesota, Sarasota, Orlando, Portland, Utah and Central City.
Since 1994, James Doing has collaborated with the noted voice scientist Donald Miller (Voice Research Lab, Groningen, the Netherlands) on the application of visual feedback from real-time spectrum analysis and electroglottography in the instruction of voice. This collaboration has led to co-authorship of two articles.
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